Petr Pycha has been working in classical music production and management since 1994. From 1994 to 1996 he took the position of Production and Tour Manager of the Prague Philharmonic Choir when he organized its concerts with Berliner Philharmoniker, Concertgebouw Orchestra and Israel Philharmonic. In summer 1996 he joined the Prague Symphony Orchestra as Deputy Manager. Among the others he has been in charge of their recording activities.

Since then he has regularly participated on various recordings of film soundracks (the Bunker / music Russell Currie), game music (Tom Clancy´s Splinter Cell / music by Alexandre Desplat), crossover soundtracks (The Doors Concerto with Nigel Kennedy / music by Doors and HAREM / Sarah Brightman both orchestrated by Jaz Coleman), TV series (The Rise of Evil / music by Normand Corbeil for CBS), game music soundtracks (Merregnon II / Producer Thomas Böcker, Everquest II / music by Laura Karpman for SONY), sample libraries (Steinberg Media Technology / Claudus Brüse) or string overdubs (Natacha Atlas, Elisabeth Troy, Keisha White, JEM, Halima) as contractor and recording coordinator.

AHe had been Music Production Coordinator of the 7th World Harp Congress in Prague – June 1999, Music Contractor for Edgar Alan Poe Festival in Prague – August/October 1999, he organized concert of the Symphony Orchestra and Chorus of the Kyoto City University of Arts in Prague – 18 June 2000, Music Contractor of the first Game music symphony concert outside Japan - in Leipzig, Game Convention, 20 August 2003.

He regularly collaborates with Prague Symphony Orchestra®, FILMharmonic Orchestra®, Prague Chamber Orchestra®, Czech National Symphony Orchestra®, Czech Philharmonic Chamber Orchestra®, Czech Radio Symphony Orchestra®.